Current Exhibitions


Note: Based on guidance from the University System of Georgia (USG), all vaccinated and unvaccinated individuals are encouraged to wear a face covering while inside campus facilities. Unvaccinated individuals are also strongly encouraged to continue to socially distance while inside campus facilities, when possible. Learn more

The Zuckerman Museum of Art is currently closed for an installation period. Please click on the button below to learn more about our upcoming Summer 2022 exhibition, which will debut on Saturday, June 4, 2022, from 12:00 pm to 5:00 pm.



  • Photo of sculptural work by Ruth Zuckerman featured in the exhibition, Inside Out.

    Ruth V. Zuckerman Collection: Inside Out

    Long-term display 

    Location: Ruth Zuckerman Pavilion 

    Curated by Teresa Bramlette Reeves

    For the preservation of artwork, museums must often hold their permanent collections in storage rather than on public view. "Visible storage," maintains necessary safe-keeping of the objects while allowing museum visitors to see and study work that would otherwise be unavailable. This installation employs visible storage to showcase a substantial number of Ruth Zuckerman's sculptures and drawings from the KSU Permanent Collection, while making aspects of a collection's care transparent for the public.

ZMA Project Wall Installations:

  • Kayte Terry's SURVIVING PIECES photography series created in 2017. The photo shows a figure with bare shoulders and a fabric headdress created from many white and gray socks.

    Project Wall East: Kayte Terry

    August 28, 2021—July 30, 2022

    The ZMA is pleased to present a newly commissioned work by Philadelphia artist Kayte Terry.

    Terry’s work examines the literal and figurative boundaries of the body. Through photography, video, collage, installation and object-making, she unravels issues of illness, family, memory, longing and loss. The patchwork of materials she uses form a personal language that speaks to the fuzzy intersection of personal desires and cultural expectations as seen in the work on display. As a queer woman living with a cluster of auto-immune diseases, she is interested in making the invisible illness visible, as well as finding beauty in pain and restriction. Most recently,  she  explores inter-dependency and love, particularly through d/s, communal and ethically non-monogamous relationships. Terry often pieces together materials that are imprinted with the shape of the body such as socks, gloves, and her own skin with materials like shower curtains, balloons and fashion magazines. The patchwork of these materials form a personal language that speaks to the obscured intersection of her own personal desires and feminine cultural expectations.

    • Kayte Terry studied Art History and Women’s Studies at Simon’s Rock College of Bard and received her MFA in Studio Art at University of the Arts. She has also studied abroad with the School for International Training in Fortaleza, Brazil and at the Santa Reparata International School of Art in Florence, Italy. Kayte has been in group shows in New York, NY; Philadelphia, PA and Seattle, WA, including the show Adorned: Beauty in Excess at Joy Pratt Markham Gallery at the Walton Arts Center in Fayetteville, AK. Most recently, Kayte has been a visiting artist in grad programs at Mass Arts in Boston, MA and University of the Arts in Philadelphia, PA. Kayte is also a member of the art collective Little Berlin in Philadelphia, where she has curated several shows.  


    • Detail of work by Jamele Wright Sr.

      Project Wall West: Jamele Wright Sr.

      August 28, 2021— July 30, 2022

      Curatorial Project Director: Emily Knight 

      The ZMA is pleased to present a newly commissioned work, ReBORN #4.02 by Atlanta artist Jamele Wright, Sr.

       Wright creates abstract works that explore the Black American vernacular experience that also generate dialogue regarding the Black American experience in the South.  Wright collects and combines found materials, Dutch Wax cloth, and Georgia red clay to create conversations surrounding family, tradition, and the spiritual relationship between Africa and the South. The ZMA is thrilled to support a local artist of merit through this commission. 
      From February 22 to July 30, 2022, the ZMA is pleased to present an additional new work by Wright on the Project Wall North by the artist, in association with the large-scale commissioned work.

      • Photo of artist Jamele Wright Sr. Born and raised in Ohio, at the age of 22, Jamele Wright Sr. moved with his family to Atlanta, Georgia. While raising a family, Jamele produced art, jazz, and poetry events throughout Atlanta. Realizing that many young artists were not being represented, he started a gallery called the Neo-Renaissance Art House. After curating the gallery for over a year, Jamele was inspired to pursue his own artistic career. After several solo and group exhibitions, Mr. Wright graduated from Georgia State University with a B.A. in Art History. He concentrated on African and African American Contemporary Art. Jamele graduated with an MFA from the School of Visual Arts in Manhattan, New York. He completed a fellowship at Project for Empty Spaces in Newark, New Jersey. In August 2020, Wright was one of three artists selected for a collaboration between MARTA Artbound and Decatur Arts Alliance to create public artworks for the East Lake, Decatur, and Avondale MARTA stations. Wright's work will be featured in the upcoming Marietta Cobb Museum of Art (MCMA) exhibition, The Four Elements: A Group Exhibition, on view from April 10, 2020, through June 20, 2021. The artist is represented by September Gray Fine Art Gallery in Atlanta, Georgia.  

        “My work is concerned with the Black American vernacular experience. The work entails collecting found materials, Georgia red clay, and Dutch Wax cloth, by creating a conversation between family, tradition, the spiritual and material relationship between Africa and the South. My process is influenced by the way Hip Hop gathers different cultures through sampling and is charged with an energy channeled and passed through the Pan African lineage. The “In Transit” Series and my textile work is inspired by the Great Migration of Black Americans, who left the familiar in the hope of something better.”

         — Jamele Wright, Sr. 



      More Exhibitions in the Fine Arts Gallery