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LEARN ABOUT THE UPCOMING SUMMER EXHIBITIONS
  • Ambulator

    Recollections Oscar Muñoz

    August 27 – December 10, 2022 

    Opening reception: Thursday, September 1, 5:00 pm – 7:30 pm

    Opening Reception

    Co-curated by Vanessa K. Davidson, Curator of Latin American Art, The Blanton Museum of Art, The University of Texas at Austin, and Cynthia Nourse Thompson, Director of Curatorial Affairs, Bernard A. Zuckerman Museum of Art  

    Recollections features six seminal works by Colombian artist Oscar Muñoz. The Zuckerman Museum of Art is pleased to host these works which were featured in the artist’s first retrospective in the United States, Invisibilia, curated by Vanessa K. Davidson of the Blanton Museum of Art. Oscar Muñoz is one of the most innovative artists working in Latin America today. Best known for his evocative use of ephemeral materials to interrogate the stability of the photographic image, Muñoz poetically equates its intrinsic fragility with the fallibility of memory and the precariousness of life itself. Although his radical artistic practice combines photographic processes with drawing, painting, printmaking, installation, and video, the artist does not consider himself a photographer. In opposition to Roland Barthes's belief that photography is definitive and absolute, Muñoz’s works defy fixation, thus calling into question memory, erasure, permanence, and the resolute. Davidson thoughtfully reflects, “Muñoz’s works exist between forgetting and remembering, in other words, there is a constant battle between a thing that materializes and then fades away, falls apart. Although the images Muñoz creates often change or disappear, they stay transfixed in our minds.” Deeply rooted in the Colombian context, Muñoz’s artworks nevertheless have universal resonance. This exhibition is co-curated by Vanessa K. Davidson and Cynthia Nourse Thompson.

    Credit: Oscar Muñoz, Ambulatorio (Walking Place/Outpatient Ward), 1994-2008, Photographs encapsulated in shattered tempered security glass. Courtesy of the artist and Sicardi | Ayers | Bacino Art Gallery, Houston, TX  © Otto Saxinger, Ok Centrum 

    • Waterston

      The Gravity of Beauty

      August 27 – December 10, 2022 

      Curated by Cynthia Nourse Thompson

      Opening reception: Thursday, September 1, 5:00pm – 7:30pm 

      In her poignant essay from the Journal of Aesthetics and Art Criticism, ‘Whatever happened to Beauty? A Response to Danto’, scholar Kathleen Marie Higgins states, “I want to suggest that Beauty typically, perhaps especially in times of loss, urges not stillness but renewed love of life.” Featuring the work of ten renowned artists, The Gravity of Beauty is an eloquent and often quiet contemplation on the potential of beauty to transform perceptions of loss while simultaneously questioning its ability to serve as a respite in times of grief and suffering. The exhibition ultimately reveals shared conceptions of our humanity. It poses questions such as how can we engage in or with beauty without feeling we betray the losses we have sustained? How do we emotionally find and connect with beauty at a time when we are suffering? Perhaps then uncovering consolation in Arthur Danto’s belief that beauty is a catalyst that can transform raw grief into tranquil sadness. Artists include Amber Cowan, Hironaka & Suib, William McDowell, Rona Pondick, Shelley Reed, Jon Eric Riis, Jennifer Steinkamp, Barbara Takenaga, and Darren Waterston.

      Credit: Darren Waterston, Plate I, from the portfolio, A Swarm, A Flock, A Host: A Compendium of Creatures, 2012

      • Photo of sculptural work by Ruth Zuckerman featured in the exhibition, Inside Out.

        Ruth V. Zuckerman Collection: Inside Out

        Long-term display 

        Location: Ruth Zuckerman Pavilion 

        Curated by Teresa Bramlette Reeves

        For the preservation of artwork, museums must often hold their permanent collections in storage rather than on public view. "Visible storage," maintains necessary safe-keeping of the objects while allowing museum visitors to see and study work that would otherwise be unavailable. This installation employs visible storage to showcase a substantial number of Ruth Zuckerman's sculptures and drawings from the KSU Permanent Collection, while making aspects of a collection's care transparent for the public.

       

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