ZMA News

 

  • Louder than WordsThe Bernard A. Zuckerman Museum of Art’s Spring exhibitions include "Louder than Words" and "Sahwa/Resurgence: The Works of Hicham Barrada" on view from February 2 through May 5, 2019. 

    Louder than Words features artists who privilege silence (non-linguistic sounds, symbols, or gestures) over words as their method of communication. The exhibition includes works on paper, video, and sculpture, as well as performance works that emphasize the importance of the body as a vehicle for nonverbal expression. Four featured artists are deaf, and their work addresses issues of translation and the loss of information. Louder than Words also explores the power of silence as a form of protest, or as a means to call attention to power and oppression. Curator Teresa Bramlette Reeves says of the exhibition, “This is a show where sound can be seen and felt as well as heard; books don’t rely on words; and silence can be experienced as overwhelmingly powerful.”

    An opening reception on Saturday, February 2, 2019 featured Katelyn Rose King’s re-creation of John Cage’s Water Walk and Vanessa Yvonne Jagodinsky will perform her work, Candidate 23. During the run of the exhibition, the museum will offer guided experimental tours created by Artist/Choreographer Nicole Livieratos that privilege action and movement as a form of engaging with the work in the show.

    Artists included: Terry Adkins, Christopher Adler, Dara Birnbaum, John Cage, James Castle, Nick Cave, Joseph Grigley, Dana Haugaard, Sarah Hobbs, Vanessa Yvonne Jagodinsky, Katelyn Rose King, Christine Sun Kim, Alison O’Daniel, Yoko Ono, Alix Pearlstein, Trevor Reese, and Geo Sipp.

    The Zuckerman Museum of Art also presented a solo exhibition of Franco-Moroccan artist Hicham Berrada titled Sahwa / Resurgence.  Located in the Henrique Atrium, six video works by Berrada expose a sublime beauty that unexpectedly results from disruptive interactions, such as the collision of chemicals in solution or man-made interventions in the environment. The Arabic word sahwa, translates as “resurgence,” speaks to the transformation of the mundane into something eerily beautiful.  This exhibition is presented as part of Kennesaw State University’s Year of Morocco programming.

     

  • KENNESAW, Ga. (Oct. 25, 2018) –– It is with great sadness that we share with you the difficult news that we have lost a member of the College of the Arts and Kennesaw State University family. 

    Justin Rabideau, Director of the Bernard A. Zuckerman Museum of Art, passed away yesterday.

    Justin Rabideau


    Justin was a valued colleague, and his loss will be felt deeply not only within our KSU community, but also within the Atlanta arts community and beyond.

    An accomplished printmaker and sculptor, Justin received his Master of Fine Arts at the University of Georgia. After various commissions and positions in New York and Florida, as well as Chile and Greece, Justin accepted a position with KSU’s Museum, Archives and Rare Books in August of 2012. He was promoted to Director of the Bernard A. Zuckerman Museum of Art (ZMA) and was instrumental in opening the ZMA in March of 2014.

    During his time at ZMA, Justin oversaw 45 exhibitions, including student and faculty exhibitions as well as nationally-known artist exhibitions. In October of this year. the ZMA was honored with a coveted Gold award from the Southeastern Museum’s “Excellence in Exhibitions” 2018 Competition for ”Tomashi Jackson: Interstate Love Song.”

    We at KSU will forever be grateful for the many contributions Justin made to the Bernard A. Zuckerman Museum of Art, the College of the Arts, and to Kennesaw State University.

     

    [ed. note: There will be a memorial event to celebrate Justin's life on Sunday, November 11 from 1 p.m. to 4 p.m. at The Goat Farm Arts Center, 1200 Foster St NW, Atlanta, Georgia 30318. For more information, please visit https://www.facebook.com/events/178513226386573/.]

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  • The Bernard A. Zuckerman Museum of Art’s fall exhibition block explores portraiture and the figure in art. Two new exhibitions, Class Pictures and Figure Forward, approach figuration from different angles.

    Class Pictures, organized by ZMA director of curatorial affairs Teresa Bramlette Reeves, considers how power, authority, and affluence are asserted or subverted through portraiture. Figure Forward, organized by ZMA curator Sarah Higgins, looks at the figure’s ability to represent selfhood outside the boundaries of the individual.

    A Hundred Blossoms and the Sweetest Scent, Sonya Yong James’ year-long solo exhibition on the ZMA stairwell project wall, also opens, with a free public reception Saturday, August 25, 2-4 pm. The fall exhibitions will be on view through December 21, 2018.

    Class Pictures features six figurative works from the ZMA Permanent Collection loosely paired with the work of five contemporary artists to suggest overlapping narratives about social class, economic status, and identity. Work from the permanent collection includes a large ceramic sculpture by Viola Frey, paintings by Leon Moran, Dupree Fuller, Eastman Johnson, Robert George Harris, and an anonymous American artist from the 19th century. Included contemporary artists present a mix of paintings, collages, cross-stitch portraits, photographs, and video works. The variety of approaches to portraiture and figuration reveal traditional strategies that favor realistic representations and conceptual interpretations that offer a different form of insight. Featured artists include: Melissa Basham, Paul Stephen Benjamin, Aubrey Longley-Cook, Yanique Norman, and Don Robson.

    Figure Forward features three artists, each working in a different medium: Jill Frank in photography, Jaime Bull in sculpture, and William Downs in drawing. The exhibition prompts questions: When does the figure in art function as a portrait? How can artworks represent the body in a different way? In the included artworks, the body can represent a surface on which to perform identification with a group, a psychological state, or a stand-in for internal experiences. Together, these artists’ works invite consideration of how the bodies and subjectivities of artists and viewers are implicated in these negotiations. Featured artists are Jaime Bull, William Downs, and Jill Frank.

    A Hundred Blossoms and the Sweetest Scent, a large-scale mixed-media installation, transforms the ZMA stairwell project wall. Taking inspiration from the tale of “Little Red Riding Hood,” artist Sonya Jong James weaves together fiber, flowers, roots, and found objects to explore the themes of this fable and their evolution over time. She says, “The girl and wolf inhabit a place, call it the forest or the human psyche, where the spectrum of human sagas converges, and their social and cultural meanings play out.”

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