KSU String Day
Kennesaw State University String Day
Saturday, February 9, 2019
9am to 5pm
The KSU School of Music invites high school and middle school string instrumentalists with more than one year of experience to join us for the KSU String Day—a day of learning, performance, and fun led by KSU’s exceptional string faculty! Participants will receive technical instruction, attend a recital, and conclude their experience by performing in KSU’s renowned Morgan Concert Hall. (String Day is a combination of our previously separate string events: Violin Day, Viola Day, Cellobration, and BassFest.)
Registration for this event has closed
Registration Deadline: Tuesday, February 5, 2019
Participation fee: $35 per participant
The KSU String Day is open to pre-college string instrumentalists of all technical levels with at least one full year of experience on their instrument.
No audition is required. Students must submit a completed registration form and pay the $30 participation fee by the posted deadline. The participation fee covers their entire experience, including:
- All instruction
- Performance in KSU’s Morgan Hall
- Private recital by KSU faculty
- Sheet music
- Event t-shirt
- Opportunity to audition for admission to the KSU School of Music and Music Scholarships at KSU (optional)
Saturday, February 9, 2019
8:00 am—Registration Opens (Bailey Center Lobby)
9:00 am—Event Begins
4:00 pm—Culminating Performance (Morgan Hall, Bailey Performance Center)
Participating students under the age of 18 are required to complete the following forms, as required by university policy:
- KSU Minor Code of Conduct for Participants
- KSU Minors Waiver and Release
- KSU Minors Emergency Contact and Medical Authorization
- KSU Minors Pick-up Authorization (if applicable)
Forms will be sent to participants via email and must be submitted at registration on the day of the event.
Prof. Helen Kim
Professor of Violin
Helen Kim joined the music faculty in 2006 at Kennesaw State University with a stellar performance background. She made her orchestral debut with the Calgary Philharmonic at the age of six, and has gone on to become a respected and sought-after artist. Read more
She has appeared as a soloist with the Boston Pops at Boston's Symphony Hall, as well as with the Milwaukee and Atlanta Symphony Orchestras.
Ms. Kim earned her Master's Degree from the Juilliard School, where her teachers included Cho-Liang Lin and Dorothy DeLay. She is the recipient of more than one hundred national and international awards. In 1992, she won the prestigious Artists International Competition in New York and, as a result, gave debut recitals at Carnegie Weill Hall and the Aspen Summer Music Festival.
A native of Canada, Ms. Kim has been engaged by many of Canada's leading orchestras, including the National Arts Center Orchestra, Montreal Metropolitan Orchestra, Vancouver Symphony, McGill Chamber Orchestra, and the Windsor, Regina, Victoria and Prince George Symphonies. She has also appeared with the Cobb, Georgia Symphony Orchestra, DeKalb, New Orleans, Aspen and Banff Festival Orchestras, and with orchestras in the United Kingdom, Germany and Poland.
Ms. Kim has toured extensively throughout Canada and the United States, including performances at Alice Tully Hall and the Sante Fe and La Jolla International Music Festivals, where she performed with Cho-Liang Lin, Gary Hoffman, Andre Previn, and the Orion String Quartet. She performed Bach's Double violin concerto with Hilary Hahn at the 2002 Amelia Island Chamber music festival.
Ms. Kim has been profiled on national and international television and has appeared on CBC, PBS and CBS networks. Her performances have been aired on NPR and CBC radio networks. Ms. Kim served as assistant and associate concertmaster for the Atlanta Symphony for three seasons. She is currently the assistant concertmaster of the Atlanta Opera Orchestra. Ms. Kim performs with local new music ensembles, Bent Frequency, Sonic Generator, Thamyris and recently joined the Atlanta Chamber Players.
Mr. Kenn Wagner
Artist-in-Residence in Violin
Director of String Chamber Music
Kenn Wagner has been a first violinist with the Atlanta Symphony Orchestra since 1994, and has also served as acting assistant concertmaster of the ASO for one season.
Outside of the ASO, he has also appeared abroad as guest soloist with the Shenzhen Symphony Orchestra in China, and Christ Church Symphony string section in New Zealand. Nationally he has soloed with the New Orleans Symphony, Arlington Symphony and the Wintergreen Music Festival Orchestra. Locally, Kenn has also appeared as soloist with the Atlanta Community Symphony Orchestra, the Dekalb Symphony, Clark/Spellman Symphony, Atlanta Philharmonic, and the Atlanta Musicians' Orchestra.
In addition to his solo work and position with the ASO, Mr. Wagner enjoys playing chamber music and performs with groups such as the Riverside Chamber Players, Leaptrott Trio (Trio in residence at Brenau University), Atlanta Chamber Players, Awadagin Prattâ€™s Next Generation Festival, and National Chamber Players with special guest Kenneth Slowik of the Smithsonian Chamber Players. This season he also made his debut at Piccolo Spoleto with the Orlando Chamber Soloists and also performed with members of the Grammy Award winning Cuerteto Latino Americano. Mr Wagner also performed chamber music this summer with former IU faculty member Csaba Erdelyi.
Kenn is a graduate of Indiana University where he trained with Joseph Gingold, former Concertmaster of the Cleveland Orchestra. Before completing his undergraduate degree at Indiana University, Mr. Wagner won a position with the New Jersey Symphony Orchestra, with coaching from Vernon Summers of the National Symphony and former Concertmaster of both Atlanta and National Symphonies, William Steck. Kenn is very pleased and honored to be on faculty at both Kennesaw State University and Morehouse College.
Mr. Paul Murphy
Artist-in-Residence in Viola
Paul Murphy is the Associate Principal Viola with the Atlanta Symphony Orchestra, having held that position since 1986. Previously he held principal positions with the Minnesota Orchestra, the Kansas City Philharmonic, the Caracas (Venezuela) Philharmonic, and was a regular player with the St. Louis Symphony.
He has also performed as Guest Principal for the Boston Symphony Orchestra. Mr. Murphy is a native of Pensacola, Florida , where he studied with the renowned Anna Tringas. He later graduated from the Cleveland Institute of Music where his principal teachers were David Cerone and Robert Vernon. During college he also served as an assistant teacher at the prestigious Meadowmount School of Music.
Mr. Murphy is an avid chamber music performer and has played extensively with the Emory Chamber Music Society, the Atlanta Chamber Players, the Georgian Chamber Players, and the Minneapolis Artists' Ensemble. He has collaborated with such artists as Yo-Yo Ma, Sadao Harada, Robert McDuffie, Alan Gilbert, and Robert Spano. He can be heard in chamber music performances on the Innova, GM, Arundax, and ACA labels and is a featured performer on the short children's film, "The Orchestra Gets Dressed." Mr. Murphy has participated regularly in music festivals such as the Grand Teton Music Festival, the Wintergreen Music Festival, the Highlands Music Festival, and the Pensacola Chamber Music Festival. On a different note, he has recorded extensively with the rock bands R.E.M. and Collective Soul, and has also worked with Stone Temple Pilots, Indigo Girls, and Usher, Widespread Panic, and Outkast. He has soloed with the Atlanta Symphony in works by Mozart, Rorem, Bruch, and Freddy Mercury. A dedicated teacher, Murphy has served as an Artist Affiliate at Emory University, a distinguished artist at the McDuffie Center for Strings at Mercer University, and also maintains a private studio.
Ms. Cathy Lynn
Artist-in-Residence in Viola
Catherine ("Cathy") Lynn joined the KSU faculty in 2004. She is Assistant Principal Viola with the Atlanta Symphony Orchestra. An active chamber musician, Ms. Lynn plays with the Atlanta Chamber Players and the KSU faculty string trio.
She has performed as soloist with the KSU and Georgia Youth Symphony Orchestras and is a coach for the Atlanta Symphony Youth Orchestra. Prior to coming to Atlanta, Ms. Lynn was Principal Viola of the Flint Symphony Orchestra in Michigan and a member of the Rosseels String Quartet in residence at the University of Michigan. Ms. Lynn received her Bachelor of Music from the University of Alabama under the instruction of Patrick Rafferty and completed her Master of Music and Doctorate of Musical Arts degrees at the University of Michigan in Ann Arbor, where she studied with Yizhak Schotten and Andrew Jennings. During the summer, she coaches chamber music at the Icicle Creek Music Festival in Leavenworth, WA and the local Franklin Pond Chamber Music Festival.
Ms. Charae Krueger
Artist-in-Residence in Cello
Charae Krueger received her training in cello studies at the New England Conservatory of Music where she studied with Laurence Lesser and Colin Carr and received a Bachelor of Music degree in cello performance.
She also holds an Artist Diploma from the Longy School of Music in Cambridge, MA. Ms. Krueger received her chamber music training with Eugene Lehner of the Kolisch Quartet, as well as with Robert Mann and Samuel Rhodes of the Juilliard String Quartet. She has also coached with such artists as Menahem Pressler of the Beaux Arts Trio, Louis Krasner, Felix Galimir and Leon Kirchner. She has played in masterclasses with Aldo Parisot, Janos Starker and Tsuyoshi Tsutsumi at the Banff School for the Arts.
Since moving to Atlanta five years ago, Ms. Krueger has been appointed principal cellist of the Atlanta Opera Orchestra and the Atlanta Ballet Orchestra. She also performs frequently with the Atlanta Symphony Orchestra and the Chamber Orchestra of Tennessee, where she will be featured as soloist this season. She enjoys playing chamber music with various ensembles throughout the city, performing with the Amadeus String Ensemble, the Musica Da Camera, the Chamber Music Society of Atlanta and the Lyra String Quartet. Ms. Krueger was recently appointed cello professor at Kennesaw State University and is a member of the faculty string quartet in residence there as well.
While living in Boston, Ms. Krueger was principal cellist for ten years with the Cape Cod Symphony Orchestra and also performed with the Vermont Symphony, Nashua NH Symphony and the New England Chamber Orchestra. She was a founding member of the Arden String Quartet, a nationally managed group who, in 1996, succeeded the Borromeo and Ying Quartets by receiving the Arthur W. Foote Emerging Artist award. The Quartet was formed under the sponsorship of the Longy School of Music, where they were in residence from 1993-1996. As a member of the Arden Quartet, Ms. Krueger performed up and down the eastern U.S., playing in such venues as Lincoln Center, Merkin Hall, Rockefeller University, Brown University, the Seaside Institute, MIT, Harvard Musical Association, Tufts University and NEC's Jordan Hall. She has given U.S. premieres of works by Elliot Carter, Gunther Schuller, Herschel Garfein, Victor Ullman and Alexander Mnatsekanyan. She has also enjoyed playing chamber music in such groups as the Boccherini Ensemble, Trillium (a flute-oboe-cello trio) and the Speakeasy String Quartet (a jazz string quartet).
Ms. Krueger plays on a cello made by Abraham Prescott in Concord, N.H. in 1830.
Dr. Nancy Conley
Assistant Professor of String Music Education
Director of the KSU String Project
Nancy Conley is an Assistant Professor of String Music Education at Kennesaw State University, where she teaches coursework in string technique, pedagogy, and literature. In addition, Dr. Conley supervises student teachers, leads the KSU String Project, and conducts the KSU Philharmonic. She also serves as the faculty advisor to the KSU collegiate chapter of ASTA.
Dr. Conley received the Ph.D. in music education with a viola performance cognate from Michigan State University, the M.M. in performance from Binghamton University, and the B.M. in music education and performance from Ithaca College. Before pursuing her doctoral degree, Dr. Conley was a public school music educator in upstate New York, where she taught elementary, middle, and high school instrumental music for seventeen years. An active performer while teaching, Dr. Conley played with the Binghamton Philharmonic, Tri-Cities Opera Company, and the Edgewood String Quartet. As a doctoral student, she performed with the Lansing (MI) Symphony, and was a member of the Orchestra of Northern New York in Potsdam while teaching at the Crane School of Music. She currently plays with string quartets in the Atlanta area.
Prior to joining the faculty at KSU, Dr. Conley was the Director of Music Education at Clayton State University, where she coordinated the music education program, taught courses in music and music education, supervised student teachers, and was an instructor of applied violin and viola. Dr. Conley also served as faculty advisor for the collegiate NAfME chapter and co-directed the Clayton County Honor Orchestra.
Before moving to Georgia, Dr. Conley taught at the Crane School of Music at the State University of New York at Potsdam, where she taught string technique and pedagogy classes and directed the National String Project. While at Crane, Dr. Conley developed a Musician Wellness course and the Lab Ensemble, a course that encourages pre-service music teachers to use improvisation, arranging, and composition in the classroom.
Dr. Conley has taught in various summer music programs, including several years at the New York ASTA String Institute at Ithaca College. She has conducted Senior High Area All-State festivals in New York State, and served as a clinician at other school music festivals. Dr. Conley is a frequent clinician in Atlanta-area schools.
Dr. Conley has presented at state, regional, and national conferences. Her research interests include the use of improvisation as a tool for teaching and life-long learning, music teacher education, and musician wellness. She holds the certification for Music Learning Theory Elementary General Music Level One, and has completed teacher training for Suzuki Violin Level One and Two.
Dr. Conley is a member of the American String Teachers Association, College Music Society, NAfME: The National Association for Music Education, Suzuki Association of the Americas, and Mu Phi Epsilon.
Dr. Nathaniel Parker, conductor
Director of Orchestral Studies and Assistant Professor of Music
A talented and versatile musician, Nathaniel F. Parker has conducted orchestras in the United States, Peru, Russia, Poland, England, and the Czech Republic. Equally at home working with professionals and training future generations of musicians, Dr. Parker is Director of Orchestral Studies at the Kennesaw State University School of Music—serving as Music Director and Conductor of the Kennesaw State University Symphony Orchestra and Conductor of the Kennesaw State University Opera Program—Associate Conductor of the Georgia Symphony Orchestra, and Music Director and Conductor of the Georgia Youth Symphony Orchestra (GYSO). His recent guest conducting engagements include appearances with the Jackson Symphony Orchestra (Michigan), the Connecticut Music Educators Association (CMEA) All-State Orchestra, the Fulton County High School Honor Orchestra (Georgia), and the Georgia Music Educators Association (GMEA) District 9 High School Honor Orchestra. Dr. Parker is the recipient of numerous honors, awards, and scholarships. He was named a finalist for a Conducting Fellowship with the New World Symphony, a semi-finalist for a Conducting Fellowship at Tanglewood, and a Candidate for the Respighi Prize in Conducting; he also received a Citation of Excellence in Teaching from the Pennsylvania Music Educators Association. An active scholar, Dr. Parker’s writings have been published by the Conductors Guild and the College Orchestra Directors Association (CODA). He has presented research at the College Orchestra Directors Association’s national and international conferences and is Editor of the Journal of the Conductors Guild.
Dr. Parker has served as Music Director and Conductor of the Concert Orchestra and faculty at New England Music Camp (Maine), and Interim Music Director and Conductor of the Georgia Youth Symphony Orchestra’s Camerata. Before relocating to Georgia, he was Director of Orchestral Activities and Assistant Professor of Music at Marywood University (Pennsylvania) where he was Music Director and Conductor of the Marywood University Orchestra and taught courses in conducting, instrumental methods, musicology, and analytical techniques. Other previous positions include Associate Conductor and Production Manager of the Jackson Symphony Orchestra (Michigan), Music Director and Conductor of the Jackson Youth Symphony Orchestra, Director of the Jackson Symphony Orchestra Community Music School, Graduate Conducting Intern at Michigan State University, Music Director and Conductor of the Mason Orchestral Society’s Community Orchestra and Youth Symphony (Michigan), Assistant Director of Music at Xaverian High School (New York), Conductor of the New Music Festival of Sandusky Orchestra (Ohio), and Graduate Assistant Conductor and Teaching Assistant at Bowling Green State University (Ohio).
Parker earned a Doctor of Musical Arts in Orchestral Conducting from Michigan State University, where his primary instructors were Leon Gregorian and Raphael Jiménez. During his time at MSU he regularly appeared with all the university orchestras and focused his doctoral research on Leonard Bernstein, specifically the composer’s Symphony No. 2, “The Age of Anxiety.” He earned a Master of Music in Orchestral Conducting from Bowling Green State University, where he studied with Emily Freeman Brown. His other conducting mentors include Stephen Osmond, Gary W. Hill, and Timothy Russell. In addition to his training in academia, Dr. Parker participated in numerous conducting master classes and workshops, conducting orchestras under the tutelage of nationally and internationally renowned conductors and conducting pedagogues including Christoph Eschenbach, George Hurst, Arthur Fagen, Markand Thakar, Mark Gibson, David Itkin, and Paul Vermel. Parker began his collegiate education at Arizona State University, where he studied bassoon with Jeffrey G. Lyman and graduated magna cum laude with a Bachelor of Music in Bassoon Performance.
Nat resides in Kennesaw with his wife, Melody, and their son, Jacob.
For more information, please visit: nathanielfparker.com.
Mr. Joe McFadden
Artist-in-Residence in Double Bass
Joseph McFadden joined the bass section of the Atlanta Symphony Orchestra (ASO) in September 2011, and in 2012 joined the faculty of Kennesaw State University School of Music.
Prior to his arrival at the ASO, he was Principal Bass of the Alabama Symphony Orchestra. Mr. McFadden has also performed with the Los Angeles Philharmonic and the Nashville Symphony. During his time with the Alabama Symphony, Mr. McFadden performed Bottesini's Double Bass Concerto No. 2 as a featured soloist.
A native of Los Angeles, Mr. McFadden received his bachelor’s degree from California State University, Northridge, where he studied with Oscar Meza. He completed graduate studies at Indiana University under the instruction of Bruce Bransby. While in Indiana, he served as Principal Bass of both the Indiana University Chamber Orchestra and Symphony Orchestra.
Mr. McFadden is a two-time fellowship recipient at the Aspen Music Festival and School, where he studied with Chris Hanulik and Bruce Bransby and performed throughout the summer with the Aspen Chamber Symphony. Mr. McFadden plays on a bass he commissioned from Chris Threlkeld, which was nished for him in October of 2009.
Photos from Past Events