Faculty and Staff
Margaret Baldwin Pendergrass
Margaret Baldwin (Senior Lecturer, Coordinator of General Education)
M.F.A. Theatre Arts (Playwriting), University of Iowa
B.A. English/Modern Studies, University of Virginia
Areas of Emphasis: General Education, Script Analysis, Performance Composition, Adaption, Ensemble Performance
Margaret Baldwin, a native of Atlanta, Georgia, has produced her plays and ensemble theatre works throughout the US. Her most recent play, Night Blooms, received its world premiere at Horizon Theatre Company in Atlanta, September 2010, directed by Karen Robinson, with dramaturgy by Lisa Adler. Night Blooms was named one of the top plays of 2010 by both the Atlanta Journal Constitution and ArtsCriticATL.com; Margaret and Night Blooms were featured in an interview for American Theatre Magazine (October 2010). Developmental workshops and readings of Night Blooms include Horizon's New South Play Festival (2006-9), Orlando Shakespeare Festival's PlayFest, the Playwrights' Center in Minneapolis, MN, Working Title Playwrights, and the KSU New Works and Ideas Festival. Margaret and Horizon Theatre received a National AT&T Onstage Award for the world premiere of her play Her Little House, named one of the Best New Plays of 2004 by the Atlanta Journal Constitution.
Her family plays include Tom Thumb the Great, commissioned and produced by Georgia Shakespeare (2008) and developed in collaboration with the KSU Department of TPS&D; and Alice Through the Wonderglass, commissioned and produced by Synchronicity Performance Group (2003). Other recent works, You Always Go Home, Monkey King, and Roland's Song: A War Story were commissioned and produced by the KSU Department of Theatre, Performance Studies and Dance. Monkey King, funded in part by the Coca-Cola Foundation, traveled to China for a festival at the Shanghai Theatre Academy. Margaret's solo works, The Wet Nurse Sings and The Deepest Part of the Creek (2003), were published in Monologues for Women edited by the Playwrights' Center. Her collaborative theatre work in development with Out of Hand Theater, Without Which Nothing, was featured at Emory University's Brave New Works Festival (April 2011).
Margaret holds an MFA from the Iowa Playwrights Workshop. She is a member of the Dramatists Guild, the Playwrights' Center, and Working Title Playwrights. She lives in Atlanta with her husband, Paul Pendergrass, and serves as Lecturer and Interim General Education Coordinator for Theatre and Performance Studies in the KSU Department of Theatre and Performance Studies.
Ming Chen (Professor, Resident Designer)
M.F.A. Stage Design/Theory, Shanghai Theatre Academy
M.A. Theatrical Production, University of Pittsburgh
B.F.A. Stage Design, Shanghai Theatre Academy
Areas of Emphasis: Scenic Design; Costume Design
Ming Chen is a tenured full professor and resident theatrical designer with 24 years of university teaching experience and three years of full time professional theatre experience. Born in Shanghai, China, she received her two master's degrees in Stage Design/Theory and in Theatrical Production from Shanghai Theatre Academy and the University of Pittsburgh respectively. She had worked at the Shakespeare Theatre at Folger in Washington, D.C. and Shanghai Youth Theatre Company in Shanghai and taught at SUNY at Buffalo in New York as well as Shanghai Theatre Academy in Shanghai before moving to Kennesaw, Georgia.
As a scenic designer, Ming Chen's table works have been displayed at the Prague Quadrennial (co-design), Czechoslovakia, the USITT Design Expo in Long Beach, California, and China's National Stage Design Exhibition in Beijing and Tokyo. Her designs were seen at Atlanta Ballet, the national gala performances of the American College Dance Festivals at Kennedy Center in Washington, D.C. and Miller Theatre in New York City, the Edinburgh Festival Fringe in Scotland, the Shanghai International Arts Festival and Shanghai Theatre Festival in China. In addition, her works were commissioned by many professional theatres in Atlanta including the Alliance Theatre Company, the Horizon Theatre Company, 7 Stages and Theatre in the Square, as well as university theatres such as SUNY at Buffalo and Cornell University in New York.
As a scholar, Ming Chen is the author of Visual Literacy for Theatre, a 565-page textbook on design (published in 2011). Her other publications include essays and translations in top peer-reviewed professional journals such as Theatre Topics (co-author), TD&/T and Theatre Arts. She is also a columnist for EPerformance, a peer reviewed professional journal in China. She has frequently presented papers at national and international theatre conferences and has guest-lectured internationally. Drawing from her cross-cultural experiences, she has directed and co-directed a number of cultural exchange projects that garnered grants and funds from government and private funding agencies such as the National Endowment for the Arts, the Cultural Services of French Embassy, the Georgia Humanities Council, the French Consulate in Atlanta, the Confucius Institute, and the Coca Cola Foundation. She is a member of United Scenic Artists (Local USA 829) and of the China National Stage Design Association. She has been listed in Who's Who in America and in Who's Who among Asian Americas.
Jim Davis (Associate Professor, Jointly Appointed with the Department of First Year Programs)
Ph.D. Theatre, Bowling Green State University
M.A. Theatre, University of Northern Iowa
B.A. Drama/Speech, Clarke College
Areas of Emphasis: American Dramatic Literature, Directing, Theatre History, Popular Culture Performance, Puppet Theatre
Dr. Jim Davis is jointly appointed in the Department of Theatre and Performance Studies, and the Department of First-Year Programs. Among his classroom responsibilities, he teaches sections of KSU 1101: First-Year Seminar, specifically for first-semester T&PS majors.
Jim has his Ph.D. in Theatre and Performance Studies from Bowling Green State University and has worked with a variety of arts organizations, including The Center for Puppetry Arts, The Atlanta Lyric Theatre, the Chicago Historical Society, the Mississippi River Museum (Dubuque, Iowa), Blackhawk Children's Theatre (Cedar Falls, Iowa) and Horizon Youth Theatre (Bowling Green, Ohio).
Jim's areas of research include Modern American dramatic literature, musical theatre of the Harlem renaissance, puppet theatre and the intersection of performance and popular culture. His research has been featured in Northsiders: Essays on the History and Culture of the Chicago Cubs, the reference work Graphic Novels, which will be published in late 2011, and at numerous national academic conferences.
He has directed The Complete Works of William Shakespeare (Abridged), Bash: Latterday Plays, Pinocchio, Picasso at the Lapine Agile, and Tough Choices For The New Century: A Seminar For Responsible Living; and acted in Jane: Abortion in the Underground, Auction Today! and Annie; and created numerous solo and ensemble works for puppet theatre.
Cristina Dinella (Interim Instructor of Musical Theatre Vocal Technique and Accompanist)
B.M. Music, Eastman School of Music
Graduate work in Piano, New York University
Areas of Emphasis: Musical Theatre Vocal Technique, Musical Direction, Accompaniment, Composition, Arrangement, Classical Piano
Cristina Dinella is in demand as a musical theater musical director, pianist, and arranger in both NYC and regional theatre. She brings extensive experience with Off-Broadway, regional, and touring productions, along with her background as a music educator and training in both classical and musical theater vocal technique. Recent credits include Music Director at Shawnee Summer Theatre in Indiana, Pianist for Dell’Arte Opera Ensemble in NYC, and Music Director and Arranger for the first full production of Giovanni The Fearless at Theatre for the New City.
A graduate of the Eastman School of Music, Ms. Dinella trained as a classical pianist and accompanist. Upon graduation, Cristina spent two years as Director of Bands at Hancock Central School district in Hancock, NY. She is also an experienced arranger and composer, having arranged music for Off-Broadway shows and cabarets at the world-famous Feinstein’s/54 Below. She is the composer for Summer’s Child, an original musical which was performed in NY in January 2017. When not otherwise occupied with pianist and musical director duties, Ms. Dinella is an avid writer of silly songs, which detail mundane observations of daily life.
John Gentile (Professor)
Ph.D. Performance Studies, Northwestern University
M.A. Mythological Studies, Pacifica Graduate Institute
M.A. Performance Studies, Northwestern University
B.A. Dramatic Arts and English, State University of New York Geneseo Areas of Emphasis: Solo Performance; Performance History; Chautauqua Movement; Storytelling; Myth; Adapting Literary and Folkloric Texts for the Stage
John S. Gentile, Professor, (Ph.D. and M.A. in Performance Studies from Northwestern University; M.A. in Mythological Studies with an emphasis in Depth Psychology from Pacifica Graduate Institute; B.A. in Dramatic Arts and English from S.U.N.Y. Geneseo) served on the faculty of the University of Northern Iowa before assuming a faculty appointment at Kennesaw State University.
John Gentile's theatre credits include his original adaptations of major works of folk and literary narrative such as: Over Nine Waves: Myths of Ancient Ireland, Jack of Beech Mountain: Folktales from Southern Appalachia, Nathaniel Hawthorne's Twice Told-Tales, The Bell Witch and Other Legends: Ghostly Stories from the American South, American Gothic: Stories by American Masters of the Macabre, Ovidâ's Metamorphoses, Redwing: Voices from 1888, Dark Forest: Tales and Poems from the Brothers Grimm, The Hero's Journey: Mythic Stories of the Heroic Quest (which was featured as a plenary session at the international Mythic Journeys conference celebrating the centennial of Joseph Campbell's birth) and Red Hanrahan (which toured to the Edinburgh Fringe Festival). His adaptation of Herman Melville's Moby-Dick was presented at the Casablanca Theatre Festival in 2009, where it won the major award for Best Performance. Moby-Dick was re-staged for an experimental immersion production by Saiah Arts International at the Lifecyle Building Center in Atlanta in the spring of 2013 and was named Best Play by Creative Loafing and earned a nomination for the Gene-Gabriel Moore Playwriting Award from Atlanta's Suzi Awards. His most recent theatrical adaptations are The Scarlet Letter by Nathaniel Hawthorne, which was produced at Kennesaw State University during the 2015-16 KSU Season, and A Christmas Carol by Charles Dickens, which was produced at Smock Alley Theatre in Dublin, Ireland, where it enjoyed a sold-out run in December 2015. He is currently working on a new version of his adaptation of Moby-Dick for Smock Alley Theatre's 2017 season.
As an actor and storyteller, Gentile has performed throughout the metro-Atlanta area. He has performed at the C. G. Jung Society of Atlanta, Theatre Gael, the Roswell Magnolia Storytelling Festival, the Winter Storytelling Festival, Theatre in the Square, and 7 Stages. The City of Roswell presented him with The President's Award in 1999 for his service to the community in establishing the annual Roswell Magnolia Storytelling Festival. He has led study/tours to Ireland's mythic and early sacred sites and currently serves as the faculty director for the summer study abroad program Acting in Irish Drama in partnership with the Gaiety School of Acting, the National Theatre School of Ireland. Gentile has served as a scholar-performer with the Wyoming Chautauqua, Rocky Mountain Chautauqua and Tulsa Chautauqua public humanities programs. In 2003, he received the Distinguished Teaching Award and Distinguished Research and Creative Activity Award from the College of the Arts at Kennesaw State University. In 2004, he received the College of the Arts Distinguished Research and Creative Activity Award for a second time and was named a finalist for the University's Distinguished Research and Creative Activity Award. In 2010, he received the University's Foundation Prize for his adaptation of Moby-Dick. In 2011, he received the National Storytelling Network's Oracle Award for the Southeast Region for Leadership and Service in Storytelling.
Gentile is the author of Cast of One: One-Person Shows from the Chautauqua Platform to the Broadway Stage (University of Illinois Press), a history of American solo performance. His articles have appeared in Text and Performance Quarterly, Studies in Popular Culture, On the Culture of the American South, The Future of Performance Studies: Visions and Revisions, Storytelling, Self, Society, Queers in American Popular Culture, and Eighteenth-Century British and American Rhetorics and Rhetoricians. He has presented his research at conferences for the National Communication Association, Association for Theatre in Higher Education, Chautauqua Network, Popular Culture Association, Performance Studies International, Southeastern Nineteenth-Century Studies Association, American Humanists Association, Southeastern Theatre Conference, Georgia Communication Association, and has served as the keynote speaker and performer at national performance festivals. He has served on the executive boards of the Performance Studies Division of the National Communication Association, Storytelling in Higher Education Special Interest Group of the National Storytelling Network, Southern Order of Storytellers, and on the faculty for the Leadership Institute of the Executive M.B.A. Program at the University of Chicago. He is the founding co-editor with Joseph Sobol of Storytelling, Self, Society: An Interdisciplinary Journal of Storytelling Studies, for which he currently serves as the book reviews editor and served as the guest editor of that journal's 2011 special issue on Storytelling and Myth. He is an associate editor of the National Communication Association journal Text and Performance Quarterly. His most recent publication, Shape-Shifter in the Green: Performing Sir Gawain and Green Knight appears in Storytelling, Self, Society.
Gentile teaches classes at Kennesaw State University in performing literature, storytelling, performance art, and adapting literary texts for the stage, which is his area of emphasis as an artist, and he developed the department's distinctive curriculum in storytelling studies. Additionally, Gentile served for twelve years as chair of the department. Under his leadership, the department's student enrollment more than tripled, the number of its faculty more than doubled, and its innovative curriculum and ambitious production season recognized for excellence. During his term as chair, the department opened the Onyx Theatre, the first new theatre space at the University in twenty years. Gentile moved the department from one focused on solely on drama to a broader vision that integrates theatre and performance studies approaches and that emphasizes a wide range of performance styles and texts. His vision established the department's mission to nurture scholar-artists, students and faculty whose accomplishments reflect achievement as both creative artists and articulate, informed scholars of their chosen area of emphasis.
Rick Lombardo (Associate Professor, Artistic Director, and Chair)
M.F.A. Stage Direction, Boston University School for the Arts
B.S. Psychology, Georgetown University
Areas of Emphasis: Stage Direction, Acting, Adaptation, Arts Leadership, Producing
Rick Lombardo is an award-winning stage director, Artistic Director, adapter and educator. He was the Artistic Director at San Jose Repertory Theatre for six seasons from 2008 - 2014, where his work included world premieres of both plays and musicals, as well as significant revivals. Noteworthy among these were the world premiere of the musical The Snow Queen, which he also co-wrote, along with the new play Game On by Tony Taccone and Dan Hoyle, (TBA Award Best New Play 2014), and Love in American Times by Philip Kan Gotanda. The Snow Queen became a featured selection at the 2014 New York Musical Theatre Festival, where it won the Special Licensing Award as well as the award for Overall Production. Other San Jose Rep productions include The Death of the Novel, Disconnect, God of Carnage, A Christmas Carol, Spring Awakening, The Dresser, Black Pearl Sings!, The Weir, and As You Like It.
For 13 years he was the Producing Artistic Director of Greater Boston's New Repertory Theatre, overseeing its development into one of New England's leading mid-size theaters. He was awarded the Norton Prize for Sustained Excellence from the Boston Theatre Critics Association for his body of work there. At New Rep his award-winning productions included The Clean House, Sweeney Todd, Rosencrantz and Guildenstern are Dead, A Streetcar Named Desire, Ragtime, Waiting for Godot and The Weir. His world premiere of Bill W. and Dr. Bob enjoyed an extended run Off-Broadway at New World Stages. His work has also been seen at the Kennedy Center, Arena Stage, Arizona Theatre Company, New York City's Town Hall, Opera Boston, Wellfleet Harbor Actors Theater, The Actors Shakespeare Project, Porthouse Theater, and The Berkshire Theatre Festival, among others.
He was previously Co-Director of the Theatre Program at Fordham University's College at Lincoln Center, where he taught Acting and Directing. He has also taught and/or guest directed at Yale University, The City College of New York, Boston University, Brandeis University and Fairleigh Dickinson University.
He has served on the boards of SDC, The Society of Stage Director and Choreographers, NNPN, The National New Play Network, ArtsBoston, Stagesource, and served for more than 8 years as the President of NEAT, The Association of New England Area Theatres. He is also a Senior Fellow with the American Leadership Forum Silicon Valley. He holds the MFA in Stage Direction from the Boston University School for the Arts.
Harrison Long (Professor and Associate Dean, College of the Arts)
M.F.A. Theatre (Acting), Southern Methodist University
B.F.A Theatre (Acting), Florida State University
Areas of Emphasis: Contemporary Scene Study, Period Styles
Harrison Long has over twenty-five years experience as a director, actor, writer, administrator and teacher. He is the 2013 recipient of Kennesaw State University’s Foundation Prize for Publication, and the 2014 winner of the university’s Distinguished Professor Award. Before beginning his current appointment as Interim Associate Dean in the KSU College of the Arts, Professor Long successfully served in a variety of administrative roles: Head of Acting, Artistic Director of the KSU Dept. of Theatre & Performance Studies, and Interim Director of the School of Art and Design for 2013-14 academic year.
Professor Long has a wealth of directing experience ranging from opera to devised performance pieces, with special emphasis on socially engaged theatre. In 2013 he directed the first site-specific production of Lee Blessing’s cold war drama, A Walk in the Woods at Serenbe Playhouse. The production received rave reviews and garnered multiple Suzi Bass nominations, including one for Best Production and the Award for Best Actor.
At KSU, Professor Long has directed The Laramie Project, As You Like It, Arms and the Man, Comedy of Errors and The Glass Menagerie. In 2011, Splittin’ the Raft received a grant from the National Endowment for the Arts to tour seven North Georgia communities, and was one of five full-length productions invited to perform at the Kennedy Center/American College Theatre Festival (Region IV). KSU student John Stewart was one of only four college actors in the nation recognized by the Kennedy Center for his “Outstanding Performance.”
Long’s recent staging of Parade at Marietta’s Strand Theatre commemorated the tragic 1915 death of Leo Frank, which occurred just a few miles from the performance site. In conjunction with the performance, Long orchestrated a KSU residency for playwright Alfred Uhry (Driving Miss Daisy, Last Night of Ballyhoo).
Harrison Long began his professional acting career in 1986 and has performed styles ranging from contemporary drama to musical comedy with a special emphasis on Shakespeare. New York credits include the title role in Henry V (Hudson Valley Shakespeare), Athol Fugard’s A Lesson From Aloes (78th Street Theatre) and Bloomsday On Broadway (Symphony Space). Regional credits include People’s Light and Theatre Company, Arkansas Repertory Theatre, Tennessee Repertory Theatre, Hope Summer Repertory Theatre, Oregon Cabaret Theatre, Clarence Brown Theatre and the Utah, Texas and North Carolina Shakespeare Festivals. In Atlanta, Long has performed for the Alliance Theatre, Georgia Shakespeare Festival, Theatre in the Square, ART Station, Theatrical Outfit, Theatre Emory, Horizon Theatre, Out of Hand, Synchronicity and the Georgia Ensemble Theatre, where he was a founding company member.
Long’s portrayal of Magwitch in Georgia Ensemble’s Great Expectations received an “Honorable Mention for Best Supporting Actor” in the Sunday Paper’s annual Spotlight Awards. The production, which featured the work of 17 KSU students and faculty, also made the Spotlight list of “Top Ten Productions” for the 2009 theatre season. In 2008 Long played Cromwell in Theatre in the Square’s A Man for All Seasons, which received the Suzi Bass award for “Best Production”’ In fall 2010, he originated the role of Clayton in Horizon Theatre’s world premiere of Night Blooms written by KSU faculty Margaret Baldwin and directed by Karen Robinson.
Teaching credits include:
Marymount Manhattan College
University of Tennessee
St. John’s University
Southern Methodist University
Georgia State University
Clayton College and State University
Virginia Governor’s School of the Arts
Summer Theatre Institute at Columbia University
In addition, Professor Long was Dialogue Coach for the CBS series, Dangerous Curves
Recent publications include articles in The International Journal of Arts Education and the Journal of Higher Education Outreach & Engagement.
Harrison is a proud member of The Actor's Equity Association.
Rebecca Makus (Associate Professor, Resident Lighting Designer)
M.F.A. California Institute for the Arts
B.A. Smith College
Areas of Emphasis: Lighting Design, DIY Lighting/Media, Experimental Performance Read more
Rebecca M. K. Makus holds an M.F.A. from the California Institute of the Arts and a B.A. from Smith College and is an Assistant Professor of Theatre at Kennesaw State University. Her work frequently includes custom designed and built light objects that are unique for each production. Her international work includes designs at Lyon Opera Ballet, Nuffield Theatre at Lancaster University, Opera de Monte Carlo, Edinburgh Fringe Festival and Sibiu International Theatre Festival. She has also worked extensively in New York City for over 10 years including shows at Lincoln Center, Mint Theatre, Dance New Amsterdam, Dance Theatre Workshop, P.S. 122, HERE Arts Center and D.R.2 Theatre.
Amanda Wansa Morgan
Amanda Wansa Morgan (Assistant Professor, Coordinator of Musical Theatre)
M.F.A. Acting, The University of Central Florida
B.A., Music/BA, Florida State University
Areas of Emphasis: Acting, Musical Theatre Performance and Literature, Musical Direction, Vocal Pedagogy, Voice and Speech
Amanda Wansa Morgan joined the faculty at Kennesaw State University in 2015 after serving on the faculty at The University of Mississippi (Ole Miss) for three years. Amanda teaches classes in musical theatre performance, musical theatre voice, acting, and musical theatre history and literature. At Ole Miss, she directed productions of Marisol, The Mystery of Edwin Drood, and Time Stands Still as well as music directed Hairspray and The Spitfire Grill. Prior to joining the Ole Miss faculty, she spent three years as the Director of Music Education at Charleston Stage, South Carolina's largest professional theater, serving as music director, director, sound designer, dialect coach, music arranger, and/or composer for 28 productions. She has also music directed professionally at Playhouse on the Square (Memphis), Post Playhouse (Nebraska), and Osceola Center for the Arts (Orlando).
Amanda has an MFA in Acting from The University of Central Florida and undergraduate degrees in Music (Voice) and Theatre from the Florida State University. She has worked as a professional actor at Orlando Shakespeare Theater, Seaside Music Theater, Oxford Shakespeare Festival, Tony and Tina's Wedding (Orlando), and Theatre Southeast (FL). Notable acting credits include Pennywise in Urinetown, Maggie in Lend Me a Tenor, and Rona in The 25th Annual Putnum County Spelling Bee.
Amanda has composed original music for productions of A Christmas Carol, Twelfth Night, The Little Mermaid, The Velveteen Rabbit, and August Wilson's The Piano Lesson. She is currently adapting a children's book called Mary Had a Little Ham into a children's musical, in partnership with the books' original author, Margie Palatini.
Amanda is an "integrative practitioner" with the One Voice Integrative Studies Centre, run by Joan Melton and Jennie Morton. She maintains a Certificate of Figure Proficiency from the Estill Voice System® as well as memberships with the Southeastern Theatre Conference (SETC), Musical Theatre Educators Alliance (MTEA), Voice and Speech Trainers Association (VASTA), ASCAP, and The Dramatists Guild. Amanda has also served as an improvisational pianist for Theatre99 Improv Theatre (SC), as well as a freelance private voice coach, music arranger/orchestrator, and a jazz pianist/vocalist.
Visit www.amandawansamorgan.com to check out projects as well as music & media samples.
Charles Parrott (Associate Professor & Director of The KSU Tellers)
Ph.D Performance Studies and Speech Communication, Southern Illinois University Carbondale
M.A. Ball State University
B.A Speech Communication and Sociology, Hastings College
Areas of Emphasis: Performance Art, Solo Performance, Phenomenology, Performance Criticism and Popular Entertainment
Dr. Charles Parrott is an Associate Professor in the Department of Theatre & Performance Studies where he teaches courses at KSU focused on performance studies including the intersections between performance and culture, performance art, performance of literature. He is also the director of the KSU Tellers storytelling troupe.
Dr. Parrott has led The KSU Tellers in performances at: local high schools, the Atlanta Fringe Festival, the Southern States Communication Association Conference, KSU's 24th Annual Conference on Literature for Children and Young Adults, the International Council of Fine Arts Deans Annual Conference, International Association for Research in Service Learning and Community Engagement International Conference, Serenbe Theater, Push Push Theater, the Do Tell Festival Storytelling Festival, KSU's All Boards Day, and DragonCon among numerous other events.
His recent theatrical productions include a devised theatre piece called Frankenstein'd and a fully produced production called Bloody Pulp: Crisis in the American Comic Book which conceived, wrote, and co-directed with Dr. Jim Davis.
Dr. Parrott's research focuses on storytelling, performance pedagogy, performance ethnography, history, and devised theatre. His publications include articles in Storytelling, Self, and Society, American Communication Journal, and Text & Performance Quarterly. He regularly presents his research at the National Communication Association Annual Convention. He has also presented papers at the Southern States Communication Association Conference, the Western States Communication Association, the Central States Communication Association Conference, the International Association for Research on Service Learning and Community Engagement, and the Ezra Pound International Conference.
Elizabeth Rasmusson (Interim Assistant Professor of Costume Design and Production)
Email: firstname.lastname@example.org M.F.A. Costume Design and Technology, University of Florida
B.A. Theatre (Costume Design Concentration), Berry College
Areas of Emphasis: Costume Design, Costume Technology, Production
Elizabeth Rasmusson has been teaching production classes and designing costumes at Kennesaw State University since 2009. She has also served on the faculty at Berry College, and worked as Design Assistant/ Buyer at the Alliance Theatre. Her design credits include Synchronicity Theatre, Horizon Theatre, Theatre in the Square (Red, White, and Tuna, "Suzi nominated”), Actor's Express (Kiss of the Spider Woman, Best Design, Atlanta Theatre Fans), Aurora Theatre (Into the Woods and The Explorer’s Club, “Suzi nominated”), Alliance Theatre Education, Atlanta Symphony Orchestra, and Theatrical Outfit (Silent Sky, “Suzi nominated”).
Karen Robinson (Professor, Coordinator of Internships)
Contact: email@example.comM.F.A. Directing, New York University
B.A. Theatre, University of Colorado, Boulder
B.A. English Literature, University of Colorado, Boulder
Areas of Emphasis: Directing; Performance; Dramaturgy (new plays and classical texts); Theatre Appreciation; Audition Techniques; African American Theatre
Karen Robinson holds an M.F.A. in Directing from New York University's Tisch School of the Arts, and B.A.'s in Theatre and English Literature from the University of Colorado, Boulder. Prior to her arrival at KSU in January of 2000, she taught at University of North Carolina School of the Arts and Wake Forest University. She teaches courses in directing, performance studies, dramatic literature, theatre history, auditioning, and theatre appreciation in addition to directing for the Department's production season. She served as Interim Chair for the Department from 2013-2015.
Karen’s production work includes chamber theatre, performance ethnography, contemporary and period classics, and new play development. Recent KSU productions include Suzan-Lori Parks’ “In the Blood,” Lynn Nottage’s "Ruined," Tarell Alvin McCraney’s "Marcus; Or the Secret of Sweet," which she also directed at Atlanta’s Actor’s Express; "The Good Person of Szechuan," "Fences," and the regional premiere of Karin Coonrod’s chamber theatre adaptations of Flannery O’Connor’s “A View of the Woods,” and “Everything that Rises Must Converge.” In 2010, she directed the world premiere of Margaret Baldwin’s play "Night Blooms" for Atlanta’s Horizon Theatre Company with subsequent tours of staged readings to Selma, Alabama, and Paderborn, Germany.
At the heart of Karen's teaching philosophy are collaboration with colleagues and students and integration of the theoretical and practical; most vividly reflected in the profile of the scholar-artist. As a scholar-artist she balances creative work with research and scholarship of teaching and learning, and frequently authors/co-authors essays reflecting upon her production work. Examples include "O'Connor Onstage: Embodiment and Polyphonic Narration", published in the "Flannery O'Connor Review" (2013), and "Polyphonic Dynamics as Educational Practice" co-authored with colleagues Ming Chen and Ivan Pulinkala ("Theatre Topics," 2010). A passionate advocate for global learning and intercultural art and performance, Karen served as Global Learning Coordinator for KSU's College of the Arts from 2006-2013. Her global projects have included student tours of "The Eiffel Tower Wedding Party" (2012) and John Gentile's adaptation of "Moby-Dick" to the International University Theatre Festival in Casablanca in which she performed French narration (2009); the direction of a world premier adaptation of the Chinese folk novel "Monkey King" (2005) that was presented at Kennesaw State University and subsequently toured to Shanghai; and the co-direction (with playwright Margaret Baldwin) of a performance ethnography entitled "You Always Go Home" (2006-7) that focused on Kenyans living and studying in the KSU community. The production was presented as part of an international conference: The Role of the Kenyan Diaspora in Kenya's Development. Inspired by a visit to Shangilia's Kenyan residence school that uses the performing arts to rehabilitate street children and orphans' Karen designed and coordinated a 5-day residency and performance at KSU featuring the Shangilia Youth Choir in collaboration with Micocci Productions of New York City, director Lee Breuer ("The Gospel of Colonus"), singer/music director J.D. Steele, and gospel musician Butch Heyward.
Outside the university, Karen has worked as a freelance director, dramaturg, and/or stage manager for theatres in New York City, North Carolina, California, and Atlanta, Georgia for over thirty years. An Associate Artist at Georgia Shakespeare from 1990-2014, she directed fourteen productions for the company, including "As You Like It," "Twelfth Night" (reviewed by the Wall Street Journal as "an absolute knock-out", "A Streetcar Named Desire," "The School for Wives," "Amadeus" (listed by the Atlanta Journal and Constitution (AJC) as one of the most memorable theatrical productions of 2001), "Tartuffe," "Saint Joan," "The School for Scandal," "Much Ado About Nothing" (named one of the year's 10 best shows by the AJC), "Love's Labour's Lost," "Cyrano de Bergerac," and "The Bourgeois Gentleman." She is a member of the Association for Theatre in Higher Education, the National Communication Association, and the Literary Managers and Dramaturgs of the Americas. Karen is the recipient of several awards including Kennesaw State University's 2009 Award for Distinguished Teaching, the 2010 College of the Arts Distinguished Service Award, a 2010 University of Georgia Board of Regents Award for Excellence in Teaching, and the 2011 KSU Distinguished Professor award.
Angela M. Farr Schiller
Angela M. Farr Schiller (Assistant Professor and Resident Dramaturge)
Ph.D. Theatre and Performance Studies, Stanford University
M. A. Social and Cultural Analysis, New York University B.A., Theatre, University of California, Santa Cruz
Areas of Emphasis: Critical Theory, Dramatic Literature, African American History and Performance, Performance Studies, Critical Race Studies, Sensorial Studies, Dramaturgy, Acting, Directing
Dr. Angela M. Farr Schiller received her B.A. in theatre from the University of California, Santa Cruz, where she completed her final year of study at the University of Cape Town in South Africa. She also studied at the University of Ghana in Accra, Ghana and the University degli Studi di Siena, Italy. She received her Master's Degree from the department of Social and Cultural Analysis with an emphasis in Africana Studies from New York University, and completed her Ph.D. in Theater and Performance Studies at Stanford University in Palo Alto, California. Dr. Schiller joined the faculty of KSU's Department of Theatre and Performance Studies as an assistant professor and resident dramaturge in fall 2015.
As an artist, Angela works professionally as a performer, director, and dramaturge. She co-wrote and directed an original work, The Knot, in collaboration with Dr. Lindsey Mantoan. She has appeared onstage with the Emmy Award-winning Kaiser Permanente's Educational Theatre Programs, the National Dance Company of Ghana, the Tony Award winning Old Globe Theatre and La Jolla Playhouse, and toured with Stanford Repertory Theatre's production of The Wanderings of Odysseus in Athens, Greece. As a dramaturge, she has worked on productions of The Color Purple, Hairspray, and Cabaret and the development of new works including, Higher Ground, Elephant, and The Jasper Ridge Project. Most recently, Angela directed Lydia R. Diamond's adaptation of Toni Morrison's The Bluest Eye, and Tom Eyen and Henry Krieger's Dreamgirls. Her production of Dreamgirls was nominated for eight (San Francisco) Theatre Bay Area Awards including Outstanding Direction of a Musical and Outstanding Production of a Musical.
As a scholar, Dr. Schiller has presented her research on the intersections of touch, race, and performance at various conferences, including Performance Studies International (PSi), and the American Society for Theatre Research (ASTR). She is a member of Performance Studies International (PSi), The American Society for Theatre Research (ASTR), American Theatre in Higher Education (ATHE), and the National Academic Advising Association (NACADA). Her dissertation The Choreography of Jim Crow: Race, Performance, and the Politics of Touch was awarded a Mellon Dissertation Fellowship. Her areas of research include Performance Studies, 20th century African American History and Performance, Critical Race Theory, Dramatic Literature, Sensorial Studies, and 20th and 21st Century American Drama.
As an artist-scholar, Dr. Schiller's work is about revealing the ways that performance can be utilized as a meaningful tool of social engagement and compassion about what it means to be human.
Jan Wikstrom (Assistant Professor, Coordinator of Acting, Resident Vocal Coach)
M.F.A. Classical Acting, The George Washington University B.F.A. Acting, University of Southern California
Areas of Emphasis: Voice and Speech, Acting, Alexander Technique, Yoga
Jan Wikstrom is an Assistant Professor of Acting and Voice. Having served on the faculties of Millikin University and the University of Florida as well, her professional acting credits include appearances at such venues as the Manhattan Theatre Club, the Hippodrome State Theatre, Orlando Shakespeare Theatre, and the George Street Playhouse. Roles include Nora in A Doll's House, the title role in Candida, Beatrice in Much Ado About Nothing, and Vivian in Wit. Jan's extensive experience with high school students (which has earned her the Presidential Scholars Program Teacher Recognition Award and nine National Foundation for the Arts Awards) led her to create workshops and curricula for young people, and eagerly accept the responsibilities of Recruitment Coordinator for TPS. Jan's interests include the work of Uta Hagen, with whom Jan studied for many years, and who inspired the recent "Hagen Legacy" acting class at KSU. Jan is certified to teach both Yoga and the Alexander Technique. She is an Associate Teacher of Fitzmaurice Voicework, and is currently completing the requirements as a teacher of Knight/Thompson Speechwork as well. Jan received her M.F.A. in Classical Acting from The George Washington University and her B.F.A. in Acting from the University of Southern California.
Nicole B. Adkins
Nicole B. Adkins (Assistant Professor of Theatre in Society)
M.F.A. Children’s Literature, Hollins University
B.A. Theatre Arts, University of Central Oklahoma
Nicole B. Adkins has taught classes and workshops to students of various ages at theatres, K-12 schools, and universities. Her plays have been performed at Children's Theatre of Charlotte, Hollins University, Mill Mountain Theatre, Studio Roanoke, Creative Drama Children’s Theatre in Winston-Salem, NC, SkyPilot Theatre in Los Angeles, the American International School in Guanghzou China, and other theatres, schools, and museums nationally and abroad. She has six plays published through YouthPLAYS, where she also serves as Artistic Associate. She is coauthor of Playwriting and Young Audiences: Collected Wisdom and Practical Advice from the Field (Intellect Press). National playwriting awards include the Waldo M. and Grace C. Bonderman Award and recognition in the Beverly Hills Theatre Guild Marilyn Hall competition. A Hollins Children’s Literature MFA graduate and Hollins Playwright's Lab Core Faculty member, Nicole is also a member of Dramatists Guild and TYA/USA.
Justin Anderson (Instructor of Acting and Acting for Musical Theatre)
B.A. Theatre Arts, Campbell University
M.A. Theatre Studies, Regent University
Justin Anderson is an Atlanta-based professional director whose credits include award-winning stage productions in the Southeast. At present, he serves as the Associate Artistic Director of Aurora Theatre (www.auroratheatre.com) in Lawrenceville, Georgia--a professional Equity theatre and the fastest growing theatre in the state. His directorial work has earned him both popular and critical praise, producing what one critic dubbed a "quickly-becoming-overwhelming list of successful stagings" (Brad Rudy, AtlantaTheatreBuzz.com, April 15, 2012). Recent productions include Lin-Manuel Miranda's and Quiara Alegría Hudes' IN THE HEIGHTS, a co-production between Aurora Theatre and Theatrical Outfit, THE CITY OF CONVERSATION by Anthony Giardina at Horizon Theatre Company, Sondheim and Lapine's INTO THE WOODS at Aurora Theatre and a co-production of VANYA AND SONIA AND MASHA AND SPIKE by Christopher Durang at both Aurora Theatre and Horizon Theatre Company. Other recent productions include: the world premiere of SPLIT IN THREE by Daryl Lisa Fazio at Florida Repertory Theatre and the web series THAT'S EDUCATIONAL (www.thatseducational.com).
Further directing credits include: Boublil and Schönberg's LES MISÉRABLES (Five-time 2013 Suzi Bass Award Winner including Outstanding Direction of a Musical and Outstanding Production of a Musical) and Kerrigan and Lowdermilk's THE UNAUTHORIZED AUTOBIOGRAPHY OF SAMANTHA BROWN at Aurora Theatre; the world premieres of HARABEL by Jonida Beqo and THE FABULOUS LIPITONES by Mark St. Germain and John Markus at Theatrical Outfit; the world premiere of ANGRY FAGS by Topher Payne at 7 Stages (2013 Suzi Bass Award Nominee, Outstanding Director of a Play); Sondheim and Weidman's ASSASSINS at Fabrefaction Theatre Company; and TIME BETWEEN US by Brett Schrier and Tess Barker and ORDINARY DAYS by Adam Gwon at Serenbe Playhouse.
Artistic associations include Theatrical Outfit, Synchronicity Theatre, Serenbe Playhouse and Pinch 'N' Ouch Theatre. While studying directing at Rutgers University, Justin had the privilege to work with Amy Saltz, Pam Berlin, William Carden, and Deborah Headwall. He holds a B.A. in Theatre Arts from Campbell University and an M.A. in Theatre Studies from Regent University
Justin is an adjunct faculty member in the Department of Theatre and Performance Studies at Kennesaw State University in Kennesaw, Georgia where he directs and teaches courses in acting and musical theatre. In addition, he is a graduate of the 2016 Arts Leaders of Metro Atlanta (ALMA) Institute and the 2016 inaugural class of the Gwinnett Chamber Young Professionals Leadership Institute. For a complete list of directing credits or for more information, visit www.justinandersononline.com.
Natashya Armer-Giardina (Assistant Professor of Theatre in Society)
M.F.A. Acting, Northern Illinois University
B.F.A. Acting, Virginia Commonwealth University
Natashya Armer-Giardina is the 2017 Kennesaw State University Part-Time Faculty Award recipient. She has been part of the Kennesaw State University Department of Theatre and Performance Studies as part-time faculty since January, 2006. She was the first faculty member (full or part-time) in the College of the Arts to earn certification for teaching online, and continues to be a leader in distance learning.
She continues her professional teaching & performing career in Atlanta, Georgia. Past experiences include performing and teaching in the Chicago area for Our Town Productions, a professional theatre in Downers Grove, Illinois, and the Rialto Square Theatre in Joliet, Illinois. In completion of her Master of Fine Arts in Acting at Northern Illinois University in May 2004, Armer-Giardina had the extraordinary experience to study and perform in Russia with the acclaimed Moscow Art Theatre.
In fulfillment of her M.F.A. she performed roles in Waiting for Lefty, Disguises of Arlecchino, The Laramie Project, A Man's a Man, Balm in Gilead, several roles in Bob Schneider's adaptation of The Birds, and her thesis role, Gabriella, in David Edgar's Pentecost. In addition to receiving this degree, she has a Bachelor of Fine Arts in Acting from Virginia Commonwealth University in Richmond, Virginia and has studied film, auditioning techniques, and business of theatre with the private studio, The Audition Studio in Chicago. Professionally, Armer-Giardina has performed as Lampito in Lysistrata with the Side Studio Theatre in Chicago, Kate in The Taming of the Shrew, both Puck and Helena in Midsommer Night’s Dreame with the New England Shakespeare Festival, and several roles with Our Town Productions. Armer-Giardina has also had the pleasure of performing at the world's largest theatre festival, the Edinburgh Fringe Festival.
Fredrick “Freddie” Ashley
Fredrick “Freddie” Ashley (Assistant Professor of Acting)
M.F.A. Theatre Performance, University of Southern Mississippi
B.F.A Theatre, Shorter College
Freddie Ashley has been Artistic Director of Actor's Express in Atlanta since 2007. He has directed around thirty AE productions, including critically acclaimed productions of The Crucible, Appropriate, and Rent. Other directing credits include work with Dad’s Garage, Aurora Theatre, Theatre Gael, Jewish Theatre of the South, and Atlanta Lyric Theatre.
Ashley has worked on new play projects with playwrights Lindsey Ferrentino, Jen Silverman, Joshua Harmon, Michael Lew, Janine Nabers, Sarah Gubbins, Kathryn Walat, Kenneth Lin, Marco Ramirez and Amy E. Witting. He has developed new work with the Kennedy Center, Playwrights’ Center, Page 73, the New Group, Theater Emory and Alliance Theatre, where he previously served as Literary Manager and was dramaturg for over thirty productions.
He is a three-time Suzi Bass Award winner (Best Actor, The Whale; Best Director, Grey Gardens, and Rent) and has been named Best Director in Atlanta by Creative Loafing three times. He is a past winner of the Elliot Hayes Award for Dramaturgy from the Literary Managers and Dramaturgs of the Americas.
Ashley has served on the faculty of Kennesaw State University since 2002 and sits on the Board of Directors of the National New Play Network. He holds an MFA in Theatre Performance from the University of Southern Mississippi.
Brian August (Instructor of Stage Management)
B.F.A., Stage Management, Boston University
Brian August is currently the staff Production Stage Manager at The Atlanta Opera. Additionally, he is also the Production Stage Manager at Des Moines Metro Opera during their summer festival, where he is in seventh season. Additional opera companies include Sarasota Opera, Michigan Opera Theatre, Opera Boston, and Central City Opera. Favorite productions include Dead Man Walking, Jenufa, Elektra, Soldier Songs, Turandot, and Silent Night. Brian is a graduate of the Boston University School of Theatre, with a BFA in Stage Management, cum laude. Brian originally hails from Bloomfield Hills, Michigan, and is now proud to call Atlanta his home.
Philip Bergquist (Assistant Professor of Stagecraft)
M.F.A., Dramatic Media, University of Georgia
B.A., Drama, University of Georgia
Philip Bergquist has designed sets for ESPN, Epic Games, Full Sail University and The University of Georgia. He has taught at the Full Sail University Film Program, the University of Georgia Department of Theatre and Film Studies, and the Academy of Art University School of Industrial Design. He has been a teacher of record for the following courses: Visual Storytelling, Art Direction, Set Design, Special Projects in Drama, and Appreciation of Dramatic Art. At Full Sail, he designed for productions that achieved Telly Awards, and a “Ye Olde Hometown Christmas” parade float award. Furthermore, he received an ESPN Sports Lab Game Ball for “Monday Night Football.” His installations on the Full Sail University and Rollins College campuses have served students’ creativity. Philip is a member of the United States Institute for Theatre Technology.
Corey Bradberry (Assistant Professor of Theatre in Society)
M.F.A. Directing, University of Southern Mississippi
B.A. Theatre and Performance Studies, Kennesaw State University
Corey Bradberry is an Atlanta-based stage director, with a special area of focus on new play development. A recent M.F.A Directing graduate from the University of Southern Mississippi, Corey received a classical directing education under Professor Louis Rackoff, where he also studied dramaturgy, stage management, design, and the actor/director collaboration. Major USM Directing projects include: The Crucible (M.F.A. thesis production), Silent Sky, Moby Dick Rehearsed, Trifles, and two original adaptations of Mark Twain’s The Celebrated Jumping Frog of Calaveras County and The Man That Corrupted Hadleyburg. He also taught as a Graduate Assistant and Instructor of Record during his three years at USM.
Corey holds a B.A. in Theatre & Performance Studies from Kennesaw State University. After graduation, Corey studied at the Dell’Arte International School of Physical Theatre & became the co-founder and Executive Director of The Collective Project, Inc., a small professional theatre ensemble dedicated to creating new theatrical work for the Atlanta market. Over the course of its five-year mission, TCPI produced over a dozen new plays and became the first invited resident performance group at the Goat Farm Arts Center in midtown.
Meanwhile, Corey taught up and down the K-12 range as a teaching artist with Alliance Theatre, Atlanta Chlidren’s Theatre, and Earl Smith Strand Theatre, before launching a middle division drama program at Swift School, which prepares students with dyslexia for success in life. For his engagement with new work and arts education, Corey was named the 2013 City of Atlanta Office of Cultural Affair’s Emerging Artist Award for Theatre.
In addition to his teaching as Part-Time Assistant Professor at Kennesaw State University, Corey is working as a freelance director throughout the metro-Atlanta area. www.coreybradberry.com
(Assistant Professor of Acting, Acting for the Camera, and The Actor’s Body)
M.F.A. Acting, University of Delaware Professional Training Program
B.F.A. Acting, Florida State University
Matt Burke has been acting and teaching professionally for nearly 20 years, and his pursuits have lead him across the country and back again. Stage credits include a wide variety of roles from Shakespeare to Simon performed on stages from Jacksonville Beach, Florida to Long Beach, CA and Southern Utah to Southern Appalachia. Favorite roles include King Henry in Henry V at the Delaware Theatre Company, George Bailey in It’s a Wonderful Life at NC Stage Co, Uncle Louie in Lost in Yonkers at the Alhambra Theatre and various leading and supporting roles in three seasons at the Tony Award Winning Utah Shakespearean Festival.
He can also can be seen costarring in the major motion pictures Jurassic World and Identity Thief and has also appeared in TV shows such as SIX, Nashville, Halt and Catch Fire, Devious Maids, Turn, and the award winning featurette, Too Many Cooks on Adult Swim. Matt has taught as a guest artist at several professional theaters, universities and high schools nationwide including Master classes around the southeastern United States. He received his BFA from Florida State University and his MFA from The University of Delaware's Professional Theatre Training Program respectively.
Kara Cantrell (Assistant Professor of Theatre in Society and Acting)
B.F.A. Theatre/Performance, Western Kentucky University
M.F.A. Acting, University of Georgia
Kara Cantrell is an actor, director, and educator who is currently serving as a part-time Assistant Professor here at Kennesaw State University in the Department of Theatre & Performance Studies. She most recently appeared on the big screen in Logan Lucky, The Divergent Series - Allegiant, Pt. 1, in the Atlanta-produced web series, That's Educational, and numerous commercials and industrials. She has appeared on the Atlanta stage with Arís Theatre, ART Station, Aurora Theatre, Stage Door Players, Actor's Express, The Process Theatre Co., Theatre in the Square, Jewish Theatre of the South, and Synchronicity Theatre, and is the founder and Producing Artistic Director of Impulse Repertory Company. Professor Cantrell has also taught theatre courses at UGA and Georgia Perimeter College, The Alliance Theatre's Education program, The Center for Puppetry Arts, Marcus Jewish Community Center, and the Ferst Center for the Arts. She is a Certified Teacher with the National Michael Chekhov Association.
Kia Fisher Keyton
Kia Fisher Keyton (Assistant Professor of Theatre in Society)
M.F.A. Acting, University of Louisville
B.A. Theatre Arts, Clark Atlanta University
Kia Fisher Keyton has taught at numerous institutions in Georgia and South Carolina. She is a member of the SAG-AFTRA (Screen Actors Guild - American Federation of Television and Radio Artists) actors' union. Kia began taking acting classes as a child in the Gifted Artistic Theatrical Expansion (G.A.T.E.) Program. After graduating and relocating to Los Angeles, CA, Kia completed a series of commercial, television, and film classes. She has appeared in films, webisodes, and plays, and has toured with several companies. Acting credits include the lead in Antigone, The Glass Menagerie, for colored girls who have considered suicide…, and ‘night Mother, among other productions.
Dori Garziano Leeman
Dori Garziano Leeman (Assistant Professor of Acting, Arts in Society: Theatre and Performance, Theatre Education)
M.F.A. Theatre Performance, University of Southern Mississippi
B.S. Elementary Education, University of Southern Mississippi
Dori Garziano Leeman holds a Master of Fine Arts degree in Theatre Performance and a Bachelor of Science degree in Elementary Education from the University of Southern Mississippi. She is certified to teach K-12 performing arts. Dori has been an educator for over 15 years, working with a variety of age groups from pre-school to college. Dori has worked at many theatres throughout metro-Atlanta as an actor, stage manager and educator, including Georgia Ensemble Theatre, Synchronicity Theatre, Stage Door Players, and the Alliance Theatre to name a few. Dori also holds a Master of Science degree in Clinical Counseling Psychology from Brenau University. She has experience counseling adolescents, adults, and families. Dori has a passion for using the creative arts as a therapeutic tool for mental health and well-being.
Michael Haverty (Instructor of Puppetry)
B.A. Theatre, Sarah Lawrence College
As Producing Artistic Director of The Object Group, Associate Artistic Director of 7 Stages Theatre, and a freelance artist, Michael produces, writes and directs original performances/adaptations including Gilgamesh, William Faulkner's "As I Lay Dying," Stephen Crane's "Red Badge of Courage," "The Colour of Her Dreams," and the smash hit interactive epic "The Navigator," named Atlanta's best world premiere (2013). At KSU, he has directed "Ubu Roi" and "The Veiling Mists or More Perils of Photography."
From 2002-2012 Michael was Artistic Associate at the Center for Puppetry Arts, performing in over twenty shows, touring internationally, writing and directing puppet theatre for families, adults, teens, and the very young. From 2004-2013 Michael was program director of Xperimental Puppetry Theater. In 2011 Michael founded The Object Group, an ensemble devising interactive performances for museums and public spaces, including the High Museum and Georgia Aquarium. He also curates the Curious Encounters festival of interactive performance at 7 Stages. Michael has received grants from the Jim Henson Foundation, Irish Consulate, Puppeteers of America, and Meet the Composer Foundation, and performed at the 2009 and 2011 National Puppetry Festival. In 2010 Michael received the TCG New Generations Future Leaders grant. In 2012 he was named a Princess Grace Foundation USA fellow. In 2013 Michael received a MacDowell Colony residency, and in 2014, a residency at Yaddo.
Pam Joyce (Assistant Professor of Theatre in Society and Introduction to Theatre Studies)
M.F.A, University of Minnesota
B.F.A., University of Evansville
Pamela Joyce is a freelance director, performer and educator. For thirteen years she directed and devised poetic, movement based productions as the Artistic Director of Fly-By Theatre, a company she founded in 2001. She has held artistic, technical and administrative positions at the Horizon Theatre, Georgia Shakespeare, Alliance Theatre, Actor's Express, Synchronicity, Essential Theatre, Indiana Repertory Theatre, and The New Harmony Project. Directing highlights include Wedding on the Eiffel Tower by Jean Cocteau, and A World of Silents, a devised performance using silent films to explore silence and the act of being silenced in our lives. In 2009 she created The Art Block, an arts education program for at risk youth in collaboration with Hammonds House Museum. She has overseen artistic community partnerships with the City of College Park and Atlanta's historic West End neighborhood as well as facilitated a personal narrative project with the Decatur community. She has trained with world-renowned artists Anne Bogart, the SITI Company, and Ruth Zapora. She is a member of Theatre Communications Group, the Association for Theatre in Higher Education and the Association for Theatre Movement Educators. She is a graduate of the University of Evansville (BFA) and the University of Minnesota (MFA Directing).
Matt Lewis (Assistant Professor of Acting and Arts in Society: Theatre and Performance)
M.F.A. Acting, University of Alabama
B.A.Theatre and Performance Studies, Kennesaw State University
Matt Lewis has been a Part-Time Assistant Professor in the Department of Theatre and Performance Studies since 2012. He received his MFA in Acting at the University of Alabama and his BA in Theatre and Performance Studies from Kennesaw State University. At KSU, he’s taught TPS 1107: Theatre in Society, TPS 1500: Introduction to Theatre Studies, TPS 2202: Introduction to Acting, and TPS 2203: Acting I: The Fundamentals of Acting. He’s also taught at the University of Alabama and Stillman College.
Matt Lewis’ most recent Off-Broadway appearance was in 2016 at the Beckett Theatre in Here I Sit Brokenhearted. He made his Off-Broadway debut in 2012 at the 59E59 Theater in Hell: Paradise Found, deemed, “a witty comedy with matter of fact absurdity,” by the New York Times, and, “a screwball comedy with crackling performances and wickedly funny punchlines,” by Backstage. His regional credits include Cymbeline, Macbeth, My Fair Lady, The Comedy of Errors, The Winter’s Tale, Camelot (Texas Shakespeare Festival), and Six Degrees of Separation (Charlotte Rep). Matt has performed in theatres all over Atlanta, including BOY (Theatrical Outfit), Memphis: the Musical (Aurora and Theatrical Outfit), The Bridges of Madison County, Hands on a Hardbody (Aurora Theatre), Ghost: the Musical, Sherlock Holmes and the Adventure of the Suicide Club, The Man Who Came to Dinner, Buddy! The Buddy Holly Story; Great Expectations (Georgia Ensemble), On Golden Pond (Stage Door Players), Urinetown, Assassins (Fabrefaction), Warrior Class (u/s Alliance), and Cannibal! The Musical (Dad’s Garage). His film credits include Disney Shot Kennedy (Modest Conspiracy Films), winner of Official Selections in the 2010 New York Friar’s Club Comedy Film Festival, the 2010 Atlanta Underground Film Festival, and the 2010 San Antonio Film Festival. Television credits include Sleepy Hollow (Fox), Resurrection (ABC), Halt and Catch Fire (AMC), Nashville (CMT), and Swamp Murders (Investigation Discovery). For more information, visit www.mattlewisactor.com
Melanie Martin Long
Melanie Martin Long (Assistant Professor of Acting and Directing)
M.F.A. Directing, University of Minnesota
B.A. Theatre and English, The College of William and Mary
Melanie Martin Long has worked as a director, writer, and actor for several Atlanta theatre companies, including Georgia Shakespeare, Alliance Children’s Theatre, Jewish Theatre of the South, Georgia Ensemble, Theatrical Outfit, and Theatre Emory. Before coming to Atlanta in 2005, Melanie was Artistic Associate at the Lark Play Development Center in New York, where she produced its acclaimed Playwrights Workshop with Arthur Kopit. As a professional director and adapter, she has guided more than thirty productions at the Off-Broadway, regional and collegiate levels. Publications: “Mastering Stage Presence” DVD series for The Great Courses, The Frog Prince (Book and Lyrics with composer James Woodward), and annotations of Julius Caesar and The Tempest. Memberships: Lincoln Center Directors’ Lab, Voice and Speech Trainers of America (VASTA). In addition to teaching, Melanie maintains a full schedule as a workshop leader, speaker and performance coach for actors and presenters.
Shondrika Moss-Bouldin (Assistant Professor of Performance Studies)
Ph. D. Performance Studies, Northwestern University
M.A. Performance Studies, Northwestern University
B.A. Performance Studies, Northwestern University
Dr. Shondrika Moss-Bouldin is the proud co-founder of Soulploitation Creative Works/Acting Up!, a producing artistic company (fine and performing arts), based out of Atlanta and Los Angeles. The company motto states, "since our imagination is endless, our work is never done." Dr. Moss-Bouldin also works as an independent artist and scholar who has earned all of her degrees from Northwestern University (B.A., M.A., Ph.D.). She received a Fulbright in 2006 to study in South Africa and has taught and lectured at Northwestern University, CUNY, DePaul University, and Spelman College and presented at numerous conferences including National Minority Aids Council, American Alliance for Theatre and Education, Southeastern Theatre Conference, and American Society for Theatre Research. She is a member of The Lincoln Center's 2012 Director's Lab.
Some of her previous artistic and consultant work has been with Disney Theatrical Productions, The Kennedy Center, The Home DePot, Kenny Leon's True Colors Theatre Company, Horizon Theatre, Synchronicity Theatre, Creative Arts Team, Cobb and Atlanta Public Schools, Chicago Shakespeare, Georgia Council for the Arts, The National Black Arts Festival, and The National Black Theatre Festival. She has directed, produced, casted, and choreographed, in New York City (Off Broadway), San Francisco, Chicago, and Atlanta. Some of her favorite directing projects have been the development of The August Wilson Monologue Competition (Kenny Leon's True Colors), Free Like Brâer Rabbit (The Wren's Nest), The Vagina Monologues (Off-Broadway), Mirandy and Brother Wind (14th Street Playhouse), and the film, Color the Night (NYC).
For more information on Dr. Moss-Bouldin, please visit her website, www.scworks.tv
Susan G. Reid
Susan G. Reid (Assistant Professor of Acting and Audition Practicum)
M.F.A. Directing, University of North Carolina, Greensboro
B.A. English, Minor in Theatre, Randolph-Macon Woman’s College
Susan G. Reid is a Casting Director at Fox Casting where she works on such projects as Investigation Discovery’s Your Worst Nightmare. Prior to that, she was Vice President at Atlanta Models & Talent and served as head of the TV/Film division. Additionally, she has worked as a professional theatre director and acting coach for over fifteen years. She held positions as an Artistic Associate and Education Director at both Aurora Theatre and Theatre in the Square. An active member of the Atlanta theatre community, Reid has earned numerous awards for her excellence in directing. She served as Head of the B.F.A. Acting program for Columbus State University and taught at additional academic institutions and theatres throughout the southeast. Susan holds a Master of Fine Arts in Directing from the University of North Carolina Greensboro and an undergraduate degree from Randolph-Macon Woman's College. She was a participant in the Lincoln Center Theater Directors Lab in 2009.
David Sterritt (Assistant Professor of Stage Combat)
M.F.A. Acting, Wayne State University
B.F.A. Performing Arts, Savannah College of Art and Design
David Sterritt is an Actor and Fight Choreographer based in Atlanta, Georgia.
He received his MFA in Acting from Wayne State University through the Hilberry Repertory Theatre. He also received his Advanced Theatre Training Certificate while training in Russia at the Moscow Art Theatre and has a BFA in performing arts from Savannah College of Art and Design.
David is a Certified Teacher through the Society of American Fight Directors; he founded and coordinates the annual “A-Town Throw Down.”
Selected fight credits: Slasher, Les Liaisons Dangereuses, Appropriate (Actor's Express), Edward Foote (Alliance), Two Noble Kinsmen (Shakespeare Tavern), As You Like It (Georgia Shakespeare), and Dracula (Gainesville Theatre Alliance), and Beauty and the Beast (Atlanta Lyric Theatre).
Selected Atlanta acting credits include, Hamlet the Musical, Twelfth Night and Henry VI Parts I-III at the Shakespeare Tavern. Slasher at Actor’s Express. James and the Giant Peach at Georgia Ensemble Theatre, and Barefoot in the Park at Gypsy Theatre Company. He was also in the Michigan premier of Detroit by Lisa D’Amour.
Andrew Berardi (Office Manager)
Andrew is a passionate non-profit and higher education administrator with over nine years of experience in office administration, customer service, assessment, and database management. Since graduating from Kennesaw State University in 2008, Andrew has held office administration positions at New World Stages, The Perot Museum of Nature and Science, The Fort Worth Museum of Science and History, Georgia State University, and Kennesaw State University. He is adept at creative, strategic, and tactical problem-solving skills under high stress situations. Andrew also has experience with serving, supporting, coordinating, and managing in large organizations.
Dawn Eskridge (Manager I & Part-Time Instructor of Theatre and Performance Studies)
Brittany Johnson (Costume Shop Supervsior | Part-Time Instructor of Theatre and Performance Studies)
Brittany completed her Master of Fine Arts Degree in Costume Technology from The University of Texas at Austin in 2004 and earned her Bachelor of Fine Arts with a concentration in costumes from University of Florida. After graduation from UT Austin, Brittany pursued a career as a Costume Technologist in New York City where she spent two years working at one of the top Broadway costume shops as a Cutter/First Hand. She moved to Atlanta in 2006 and worked in the costume shop of the Tony award-winning Alliance Theatre in addition to freelancing as a constructionist around the city. Brittany is part owner of J&R Santaprises, which specializes in custom-ordered Santa and Mrs. Claus suits. Brittany has been the Costume Shop Manager at Kennesaw State University since 2010.
Kenyon Shiver (Manager | Part-Time Instructor of Theatre)
Daniel Terry (Facilities Operations Professional)
Daniel joined the staff of KSU's Department of Theatre and Performance Studies in 2017. He graduated from the department in the Spring of 2011 with a concentration in Design and Technology. Daniel has over eight years of professional experience working in the Atlanta theatre community for companies that include the Alliance Theatre, Theatrical Outfit, Georgia Ensemble Theatre, Actor's Express, Atlanta Lyric Theatre, and Aurora Theatre. He served as staff member with Aurora Theatre for 5 years—three years as Assistant Technical Director, and two years as Technical Director.