Atlanta Symphony Orchestra
Carlo Rizzi, conductor
Elizabeth Koch Tiscione, oboe
Friday, April 27, 2018, 8 p.m.
Morgan Concert Hall
The Atlanta Symphony Orchestra returns to Kennesaw State for a special performance featuring classical symphonies by two big personalities and Mozart's Oboe Concerto with KSU's own as soloist.
The spirit of 18th-century composer Franz Joseph Haydn hovers over this concert led by conductor Carlo Rizzi. 20th-century Russian composer Sergei Prokofiev pays homage to Haydn in his nimble and puckish "Classical" Symphony while Beethoven, a cantankerous student of Haydn, echoed the master in his sunny and explosively exuberant Symphony No. 2 one hundred years earlier. Elizabeth Koch Tiscione, ASO Principal Oboe and KSU Artist-in-Residence, solos in Mozart's Oboe Concerto.
**Tickets will be available for sale online at the links above until 4pm today. After
that, tickets may be purchased at the door beginning at 7pm, one hour before the performance
begins at 8pm.**
Symphony No. 1, "Classical"
Symphony No. 2
Carlo Rizzi, conductor
Carlo Rizzi ranks among today’s leading conductors. Equally at home in opera and the concert hall, his vast repertoire spans everything from the foundation works of the operatic and symphonic canon to rarities by Bellini, Cimarosa and Donizetti. He is in high demand as a guest artist at the world’s most prestigious venues and festivals, not least for the insight and integrity of his musicianship and the visceral energy and psychological depths of his interpretations.
Opera is imprinted in Maestro Rizzi’s musical DNA. He discovered the art form during his formative years in Milan, attending productions at the Teatro alla Scala and, following his graduation from the city’s famous Conservatory, contributing to their development as a répétiteur with the company. Since launching his conducting career in 1982 with Donizetti’s L'ajo nell'imbarazzo, he has performed almost one hundred operas. The Rizzi repertoire list, rich in Italian works but also well stocked with the music of Wagner, Richard Strauss, Britten and Janáček, reflects the genuine breadth of his interests and the questing nature of his curiosity.
Two fruitful periods as Music Director of Welsh National Opera (1992-2001; 2004-08) and frequent guest conducting engagements at the Metropolitan Opera and The Royal Opera, London belong to the great bedrock of experience supporting Rizzi’s work. His artistic development has also drawn from the critically acclaimed success of concert performances with distinguished orchestras around the world and most recently completed a cycle of Tchaikovsky’s symphonies with the Orchestre du Théâtre Royal de La Monnaie as well as concerts with Filarmonica della Scala, Orchestra di Santa Cecilia, Netherlands Radio Philharmonic Orchestra and Hong Kong Philharmonic. In 2015 Rizzi was honoured to take up the position of Conductor Laureate of Welsh National Opera.
Carlo Rizzi’s extensive discography includes complete recordings of Gounod’s Faust, Janáček’s Kát’a Kabanová, Verdi’s Rigoletto and Un ballo in maschera with Welsh National Opera; a DVD and CD of Verdi’s La traviata recorded live by Deutsche Grammophon at the Salzburg Festival with the Vienna Philharmonic; numerous recital albums with renowned opera singers; and recordings of symphonic compositions by Bizet, Ravel, Respighi and Schubert.
During recent seasons Carlo Rizzi conducted back-to-back new productions of Rossini’s Guillaume Tell and Mosè in Egitto at Welsh National Opera, followed by Verdi’s Luisa Miller at Opernhaus Zürich; La fanciulla del West for Deutsche Oper Berlin (2015), Un ballo in maschera at La Monnaie, Brussels (2015); a double bill of Cavalleria rusticana / Pagliacci and Tosca at Teatro alla Scala, Milan (2015) and Nabucco at Lyric Opera of Chicago (2016). Future engagements include return visits to Teatro alla Scala, Milan, Welsh National Opera, Metropolitan Opera, New York, Opéra de Paris and Dutch National Opera.
Elizabeth Koch Tiscione, oboe
Principal Oboe Elizabeth Koch Tiscione, joined the Atlanta Symphony Orchestra (ASO) at the beginning of the 2007-2008 season. She currently holds the George M. and Corrie Hoyt Brown Chair.
In addition to her responsibilities with the ASO, Ms. Tiscione plays Principal Oboe at the Grand Teton Music Festival and is a member of the Atlanta Chamber Players. She has performed as a guest musician with the orchestras of Philadelphia, St. Louis, St. Paul, Baltimore, Rochester, Buffalo, and the Orpheus Chamber Orchestra. Recent solo engagements include the World Youth Symphony Orchestra, Orpheus Chamber Orchestra, Atlanta Symphony, and Dekalb Symphony Orchestra. She has been featured on NPR's "From the Top," and has also performed at many chamber music festivals throughout the country, including Tannery Pond, Cape Cod, and the Chamber Music Society of Lincoln Center.
Ms. Tiscione has a love for teaching, and is currently a faculty member at Kennesaw State University. She also teaches internationally at Festicamara, in Medellin, Colombia, and has a studio in Atlanta.
A native of Hamburg, NY, Ms. Tiscione began the oboe in the NY State public school systems at age nine, continued her studies at the Interlochen Arts Academy under Daniel Stolper, and went on to study with Richard Woodhams at the Curtis Institute of Music. Other teachers include Mark DuBois, J. Bud Roach, Pierre Roy, Robert Walters, and Eugene Izatov.
Atlanta Symphony Orchestra
The Atlanta Symphony Orchestra, currently in its 72nd season, consistently affirms its position as one of America’s leading Orchestras by performing great music, presenting great artists, educating, and engaging.
The Orchestra is known for the excellence of its live performances, presentations, renowned choruses, and its impressive list of GRAMMY® Award-winning recordings. The leading cultural organization in the Southeast, the Atlanta Symphony Orchestra serves as the cornerstone for artistic development and music education in the region. Since September 2001, the Orchestra and audiences together explore a creative programming mix, recordings, and visual enhancements, such as the Theater of a Concert, the Orchestra’s continuing exploration of different formats, settings, and enhancements for the musical performance experience. Another example is the Atlanta School of Composers, which reflects Mr. Spano, and the Orchestra’s commitment to nurturing and championing music through multi-year partnerships defining a new generation of American composers. Since the beginning of his tenure (to date), Mr. Spano and the Orchestra have performed over 100 concerts containing contemporary works (composed since 1950), including 15 ASO-commissioned world premieres.
During its 32-year history with Telarc, the Orchestra and Chorus has recorded more than 100 albums and its recordings have won 27 GRAMMY® Awards in categories including Best Classical Album, Best Orchestral Performance, Best Choral Performance, and Best Opera Performance.
The Atlanta Symphony Orchestra performs more than 200 concerts each year for a combined audience of more than a half million in a full schedule of performances which also features educational and community concerts. A recognized leader and supporter of contemporary American music, the Orchestra recently received the 2007 award for Strongest Commitment to New American Music from the American Society of Composers, Authors, and Publishers. In addition, Music Director Robert Spano was named Musical America 2008 Conductor of the Year. With the opening of the 12,000-seat Verizon Wireless Amphitheatre at Encore Park (vzwamp.com) in May 2008, the Atlanta Symphony Orchestra became the first U.S. orchestra to annually perform and present in its concert hall, and in two amphitheaters. In Summer 2008, the Orchestra celebrated 35 years at legendary Chastain Park Amphitheater, the award-winning 6,500 seat venue in Atlanta, during the Orchestra’s annual Delta Classic Chastain concert series.